A one-to-one tabla course on the banks of the Ganges — where two drums, ten fingers and a spoken language of bols become a complete rhythmic world. Taught in the traditional guru–shishya way, at your pace, from your very first stroke.
The tabla is the only instrument in Indian classical music that you learn to say out loud before you are allowed to play it.
Two drums — the smaller dayan and the deeper bayan — and a vocabulary of strokes called bols: dha, dhin, na, ta, tin, ka, ge. Each bol is a syllable and a hand position at the same time. Before your fingers know a phrase, your voice knows it, and that is why tabla players can recite an entire composition without touching the drums.
This is also why tabla trains attention so sharply. Rhythm is unforgiving in a way melody is not — a stroke is either in time or it is not. Students often notice within the first week that they have begun to hear the pulse in everything around them, from footsteps to temple bells across the river.
Our course treats the instrument that way from day one. You will not be handed a book of compositions to grind through. You will be taught to speak the bols, to place each finger exactly, and to let one stroke ring clearly before you reach for the next.
“Learn to play one clean 'na' in perfect time. Every taal you will ever play is already inside that stroke.”
Teaching principle at Rishikesh Music Class
No two students receive the same lesson, because the course has no fixed script. What stays constant is the shape of the session — and that shape is what makes progress feel steady rather than random.
Posture, wrist release, and the individual strokes played slowly on both drums. This is where clean sound is actually built — most students spend more time here than they expect, and it is the reason their tabla rings instead of thuds.
Speaking the syllables in rhythm before playing them, then matching voice to hand until the two move together and the phrase stops being something you have to think about.
Learning the character of a taal — its cycle, its sam, its tali and khali — through the theka you can actually keep, long before any theory is memorised.
A fixed piece with its variations to hold everything together, giving you something complete to play for yourself, and something to return to when practice feels shapeless.
Every class ends with a written practice instruction for the days ahead — which bols to repeat, which tempo to hold, and what to leave alone for now.

Students arrive in Rishikesh with very different amounts of time. A traveller passing through for ten days needs something different from someone who has come specifically to study for a month. So the course is offered in four honest sizes, and we will tell you plainly which one suits your situation.
A real first experience rather than a taster. You will produce clean individual bols on both drums, learn the theka of Teental, and leave knowing how to practise correctly on your own.
The most popular choice. Full command of the basic bols, steady hands at a settled tempo, your first kaida with variations, and a short composition you can play from memory.
For students who want technique to stop being the obstacle. Clarity, speed, cleaner finger separation, additional taals, and considerably more confidence in keeping time without help.
Genuine transformation. Multiple taals, kaida and tukda repertoire, laykari across tempos, accompaniment practice, and the beginnings of your own rhythmic voice on the instrument.
Not sure which to take? Start shorter. Many students begin with seven or ten sessions and extend while they are here — it is far easier to add sessions than to rush through a course you have already paid for.

You do not need any musical background to begin, and you do not need to read notation at any stage. Indian classical music is transmitted orally — by listening, reciting and repeating — and the bol language becomes familiar to you naturally as you go.
Sitting position, hand and wrist placement, the individual bols on dayan and bayan, and the theka of Teental. If you have never touched a tabla, this is your starting point and no prior knowledge is assumed.
Cleaner and stronger strokes, finger independence, structured riyaz with the lehra, control across tempos, and kaida with its palta variations.
Solo presentation, tukda, mukhda, rela and tihai, laykari across double and triple tempo, and accompaniment with vocal, harmonium or flute — the point where the instrument becomes a voice rather than an exercise.
Class timings. Six slots run daily and you keep the one that suits your routine: 9:30–10:30 AM, 11:00 AM–12:00 PM, 12:30–1:30 PM, 2:00–3:00 PM, 4:00–5:00 PM, and 5:30–6:30 PM. Morning slots suit students who also practise yoga; evening slots suit those still adjusting to the time difference.
Online is available. Live one-to-one lessons run over Zoom, Google Meet or WhatsApp video, scheduled around your local time zone. Many students begin online, come to Rishikesh for an intensive, then continue online with the same teacher afterwards.

Before the first stroke is played, students and guru chant together. It is a short moment, but it settles the room and marks the class as something separate from the day around it — clarity, confidence and the removal of obstacles before learning begins.
Tabla and Naad music training at Rishikesh Music Class, Laxman Jhula, Rishikesh. Trained in the traditional Indian classical lineage, with years of teaching students from across the world.
Rishikesh Music Class provides music courses only. Accommodation and hotel facilities are not provided by the school.
Please book your own hotel, room, guest house or ashram stay before arriving. Many comfortable and affordable options sit within walking distance of the school at Laxman Jhula, and we are happy to suggest areas.
Instruments. A tabla set is available for use during your sessions, so nothing is needed for your first class. For daily riyaz your own set helps considerably — your teacher will guide you on pitch, skin quality, tuning and fair local pricing rather than letting you buy blind.
Send the short form across and it opens directly in WhatsApp with your details already written out. We reply personally — usually within a few hours — with availability, the current fee for your chosen course, and a suggested start date.