A one-to-one harmonium course on the banks of the Ganges — where bellows, breath and a keyboard combine into the most forgiving instrument in Indian music. Learn to accompany singing, lead a kirtan, and understand melody with your hands.
If you have ever wanted to understand Indian classical music but felt lost trying to sing it, the harmonium is where everything becomes visible.
Unlike the voice or the flute, the harmonium shows you the notes. Each key is a fixed pitch that will not drift, so you can see the distance between swaras with your eyes and hear it with your ears at the same moment. For most students this is the point where theory stops being abstract.
The left hand works the bellows while the right hand plays. That division is the whole art of the instrument — steady air producing steady tone, with phrasing shaped by how you release rather than how you strike. It rewards patience over strength, which is why children and grandparents can both learn it well.
The harmonium is also the most useful instrument you can carry into a room of people. It accompanies singers, holds a bhajan together, leads a kirtan, and supports your own vocal practice at home. Many of our vocal students take harmonium alongside for exactly that reason.
“The harmonium does not compete with the singer. It makes space for them.”
Teaching principle at Rishikesh Music Class
No two students receive the same lesson, because the course has no fixed script. What stays constant is the shape of the session — and that shape is what turns scattered practice into steady progress.
Even air pressure with the left hand, relaxed curved fingers with the right. Tone on a harmonium is made almost entirely here, and rushing this stage is what leaves students sounding thin for years.
Finding every note by name across the keyboard, then singing what you play. Playing and singing together is how the ear and the hand learn to trust each other.
Structured melodic exercises that build finger independence, speed and accuracy — the groundwork that later makes improvisation possible.
Simple chord shapes, drone work and accompaniment patterns so you can support a singer, a bhajan or a kirtan without getting in the way.
Every class ends with a written practice instruction — what to repeat, what to listen for, and what to leave alone until next time.

Students arrive in Rishikesh with very different amounts of time. A traveller passing through for ten days needs something different from someone who has come specifically to study for a month. So the course comes in four honest sizes, and we will tell you plainly which one fits.
A real first experience rather than a taster. You will play cleanly with both hands, know the sargam across the keyboard, and leave understanding how to practise correctly alone.
The most popular choice. Full note command, alankar patterns, your first bhajan, and enough chord knowledge to accompany simple singing.
For students who want technique to stop being the obstacle. Cleaner fingering, faster patterns, raga phrases, and confident accompaniment behind a voice.
Genuine transformation. Multiple ragas, improvisation, kirtan leading, bhajan repertoire, and the beginnings of your own musical voice on the instrument.
Not sure which to take? Start shorter. Many students begin with seven or ten sessions and extend while they are here — it is far easier to add sessions than to rush a course you have already paid for.

You do not need any musical background to begin, and you do not need to read Western notation at any stage. Indian classical music is transmitted orally — by listening, singing and repeating — and sargam becomes familiar naturally as you go.
Bellows control, hand position, finding the notes, simple sargam patterns and your first complete bhajan. If you have never touched a keyboard, this is your starting point.
Cleaner fingering, alankars at speed, chord shapes, drone and accompaniment behind a singer, plus a working understanding of two or three ragas.
Raga expression, improvisation, kirtan leading, complex accompaniment and the ability to follow a singer wherever they go without losing the thread.
Class timings. Six slots run daily and you keep the one that suits your routine: 9:30–10:30 AM, 11:00 AM–12:00 PM, 12:30–1:30 PM, 2:00–3:00 PM, 4:00–5:00 PM, and 5:30–6:30 PM. Morning slots suit students who also practise yoga; evening slots suit those still adjusting to the time difference.
Online is available. Live one-to-one lessons run over Zoom, Google Meet or WhatsApp video, scheduled around your local time zone. Harmonium works especially well online because your teacher can see your hands clearly on camera.

Before the first note is played, students and guru chant together. It is a short moment, but it settles the room and marks the class as something separate from the day around it — clarity, confidence and the removal of obstacles before learning begins.
Harmonium and Naad music training at Rishikesh Music Class, Laxman Jhula, Rishikesh. Trained in the traditional Indian classical lineage, with years of teaching students from across the world.
Rishikesh Music Class provides music courses only. Accommodation and hotel facilities are not provided by the school.
Please book your own hotel, room, guest house or ashram stay before arriving. Many comfortable and affordable options sit within walking distance of the school at Laxman Jhula, and we are happy to suggest areas.
Instruments. A harmonium is available for use during your sessions, so nothing is needed for your first class. For daily riyaz your own instrument helps considerably — your teacher will guide you on scale, reed quality and fair local pricing rather than letting you buy blind.
Send the short form across and it opens directly in WhatsApp with your details already written out. We reply personally — usually within a few hours — with availability, the current fee for your chosen course, and a suggested start date.